The Synth-Pop Duo's Creative Genius Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) formed Soft Cell alongside Marc Almond in Leeds during 1977

Dave Ball, one half of the pioneering 1980s synth-pop band Soft Cell, has died at the age of 66.

Together with vocalist Marc Almond, the duo achieved a worldwide hit with their version of Gloria Jones' the classic track Tainted Love in 1984, and their first record Non-Stop Erotic Cabaret is considered a classic of synth-pop.

He later formed the innovative techno group The Grid, who achieved popular acclaim with their 1994 single Swamp Thing.

Ball died calmly in his sleep at his home in London on Wednesday 22 October, just weeks after performing a featured performance with Soft Cell at the Rewind music event in the Thames-side town.

Health Struggles

During that show, Ball appeared in a wheelchair, as he had for the last two years, after a spate of ill-health.

"I ended up injure myself significantly," he commented in a recent interview. "I broke lower vertebrae in my spine and cracked about five ribs and fractured my wrist."

After contracting a lung infection and suffering from sepsis, he was put in an induced coma and stayed in the hospital for seven months.

However, he had been in "a great place mentally" over the summer, as he was developing a fresh record with Almond, called the upcoming Danceteria, which is scheduled for release in the coming year.

"He was concentrated and so happy with the new album that we literally completed only a short time ago," said the vocalist in a tribute.
"It's truly heartbreaking as next year was completely planned to be such an positive year for him, and I take some solace from the knowledge that he heard the completed album and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the forefront of the synth-pop movement in the beginning of the decade

Tributes

Almond referred to his collaborator as "an exceptionally talented creative mastermind", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.

"Many thanks Dave for being an significant part of my life and for the songs you gave me. I couldn't be where I am without you."

Richard Norris from The Grid, shared his condolences, recalling Ball's "constant humor" and "unwavering friendship".

"Forming a duo with someone is distinct from joining a group, the connection is incredibly close," he added.
"That's how it was with us. We went through so many extraordinary, incredible, life-affirming moments as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in 2018

Early Life

Brought into the world into a one-parent family in Chester in 1959, Ball was given up for adoption when he was 18 months old.

He grew up in Blackpool with adoptive parents Donald and Brenda Ball, who changed his given name from his birth name to his adopted name, together with his younger sister his sister, who was similarly welcomed.

He encountered Almond at Leeds Polytechnic in 1977, where they were both studying fine arts. Fuelled by a mutual passion of a music genre, they formed Soft Cell the same year, and promptly produced an extended play.

Musical Partnership

The pair were an unusual combination: Ball was the quiet musician, hunched over his synthesizer, while Almond was a flamboyant performer, all glitter and makeup; but they attained a unique creative synergy.

Ball had developed a interest with electronic instruments after viewing the band Kraftwerk perform on BBC program Tomorrow's World, and started to combine moody electronic sounds to the catchy tunes Almond was writing.

Their signature song became the UK's second biggest-selling song of the early 80s, selling 21 million copies globally. Alongside successful tracks by other artists, contemporary bands and Ultravox, it contributed to paved the path for the electronic music style of the 80s.

The track was also included on their first album, Non-Stop Erotic Cabaret, which produced two additional high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the stand-alone single, Torch, which peaked at number two in 1982.

Soft Cell in the studio
The pair were developing fresh songs until just before Ball's death

Professional Journey

Success had its upsides. "I loved being able to afford my initial property, having financial security and travelling, which makes me sound like a Miss World," Ball not long ago told with a music magazine.

But it also caused challenges. "Sudden riches meant we could purchase substances to alleviate the boredom" of media interviews and TV performances, Ball said.

"I realize that's a cliché, but it's a cliché for a good reason, because it applies for so many musicians."

Amidst the hedonistic lifestyle, the duo were also growing distant, but they succeeded to create a second memorable record - the unconventional, tense and aptly-titled The Art Of Falling Apart.

They put out another LP, 1984's This Last Night In Sodom, before dissolving the band to focus on other projects.

Almond went on to have a prosperous individual path, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who combined acid house with ambient pop over a long-lasting partnership.

Reunions and Final Projects

Soft Cell reunited in the early 2000s, producing the Top 40 record Cruelty Without Beauty.

Following another break, they reappeared in 2018, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a final performance at the large venue on 30 September, 2018.

However, they remained active, recording their latest project, Happiness Not Included, during the 2020 restrictions.

Ball lately characterized the band's upcoming release as a tribute to the NYC nightlife they frequented while recording their first two albums.

He added that his period in hospital had shaped the group's music.

"I had strange recollections when I was coming and going of hospital because I was on pain medication," he explained to a publication.
"Our latest tracks are a digital reflection of the noises in my head from those days.
"In parallel, it's about the experiences me and Marc got up to in the 1980s."

The final mixes were completed only days before Ball died. It is due for release in Spring 2026.

Hannah Jimenez
Hannah Jimenez

A passionate traveler and writer sharing personal stories and expert tips on Canadian adventures and daily life.